Complete 4K Workflow Video

October 21, 2007

Well, Studio Daily delivers again with this really cool short video about 4K, the new technology that’s been taking the place of 2K, HD’s cinematic rival.  Essentially, they say that they don’t want digital to be a compromise for filmmakers who want as crisp an image as films that were shot in the 30s on film, because we always have the capability to go softer on the film, but not sharper, unless we then compromise the image.  For me, it’s not a big deal, since I’m still a super low-budget MiniDV filmmaker in part-time college and soon to be starting at VFX school.  However, for the big-hitters and even the local theaters in your area, the emergence of 4K (ant not only that but cheap 4K workflow solutions – including projectors) means that the theater experience could very well be livened up a bit from its current state and that the quality of a cinematic, big-budget motion picture could very well build up some strength with enhanced quality of image.  The new format is still pretty much unknown to me, and I do know that I love the digital format of filmmaking, simply because when you know what you or others can do, you can make so many quick decisions on set that you don’t waste time and money (if you’re paying people on set hehe) by wondering what to do or reshooting multiple versions of the same take so you can experiment with it afterwards.  Robert Rodriguez does a great short video on this on the DVD for Once Upon A Time In Mexico, where he talks about the necessity of knowing technology and special/visual effects so that you can be quick and efficient and in control on set at all times.  This is the huge gift of digital for me, because if a shot is slightly shaky but it works otherwise, I don’t have to worry about reshooting it because it can be stabilized later on.  I don’t have to go overboard with makeup because I can add some creepy color correction and a bit more distortion to people’s faces if needed in post.  I can do background explosions, liven up whole sequences that may have been shot in a short hour with someone running around by putting all sorts of crazy action behind them just to sell the shot.  There are some good examples in the extra features of the newly-released Planet Terror DVD that talk about Rodriguez’s shooting quickly on a low budget and then enhancing the experience with digital tehcnology and visual effects guys who just know what they’re doing.  This is the gift of digital, and it’s nice to know that not only do we now as filmmakers have this ultimate flexibility to utilize on our productions, but that the quality of image and the undeniable progress in the quality of the technology is coming along for the ride as well, giving us basically the best possible stuff to use while making a big budget film so that it can be the ultimate entertainment experience.  The only problem now is that it’s still way beyond the price range of any low- or no-budget filmmaker, and probably lots of indies out there too.  However, if there’s a good story, lots can be forgiven.  Oh, and sound, that’s pretty crucial too.

Just a note for readers, sorry I haven’t been posting that often, things have gotten quite busy around here, and I know I mentioned that page for my films a while back and.. where is it?  Well no fear, there’s a film in the edit bay right now and another being worked on in the writing and casting stage at the moment, so those two hopefully will be done by January and online and sent out to festivals, but right now I’ve got school, work and some of my own things I’m dealing with and working on.  However, you can look forward to updates on the progress of those films as well as a stabilization device that I’ve been planning and working out the details of so I can have a vest-mounted rig that’s easily detatchable but used springs and whatnot to stabilize a camera with the weight of an XL-1.  More info on that once it’s in the works, but for now, keep your heads on and bear with me.  Enjoy the video below and go check out some low-profile movies at your local video store.  I watched The Insatiable the other night and loved it.  It’s a cross between a Vampire drama and The Office.  Yea, pretty brilliant, huh?  Best of luck, and happy filmmaking.

Link: http://www.studiodaily.com/main/videosplash


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