Showcase: Animated Shorts

These are two shorts I’ve had in my collection for a while now, but haven’t posted yet. Pretty simple as far as the 3D goes, but the story and mood work well for each piece, so they’re effective and entertaining short films in my opinion.

Showcase: The Hunt For Gollum

As I’m sure many of you have heard over the past week, The Hunt For Gollum premiered on the 3rd of this month, basically blowing away most fanfilms of the past in one swell blow. This is the essence of a fanfilm: a movie based on another movie (series), made by fans for the fans with no financial benefits attached to the completion of the film (apart from the potential for being recognized and careers begun, etc.).

Link Dump: Eclectic Edition

Well, here’s the finale in those “tons-of-stuff” brags I’ve been making the last few posts. There’s a bit of a mix in here, but mostly the usual categories of free stuff and tutorials, with a few random ones thrown in at the end just for the sake of it. Enjoy, and see you next week!

Showcase: Signs

Today’s showcase item is something I found through Videomaker Magazine’s newsletter last week. It’s a pretty cool little short that shows pretty successfully the effectiveness of editing, a simple concept, and a good, short, human story. The coolest part I thought at first was identifying with the main (male) character of the story, and then being able to watch his life go on an upward curve from there. I suppose that’s what we most often find intriguing and lovable in the first place, when we find bits of ourselves in the characters whose lives end up being what we wish ours were. Or maybe it just gives hope. Anyway, on the low-budget side of things…

Link Dump: Tutorial Edition

As promised, here’s a pretty mondo list of tutorial and resource sites for your educational pleasure. I’ve organized the list, just like last week’s, into what made the most sense at the time. If you’ve got additions, suggestions, objections, or anything else, definitely feel free to comment on the post and let me know about more knowledge available for free on the ‘net. Yess…knowledge….

Link Dump: Free Stuff Edition

First off, welcome to the new blog! Yes, I know it’s awesome. I’m proud to say it’s my whole site collection hosted on one domain, inter-linked, organized and consolidated. Awesome. So now…on to the link dump.

I’ve got a massve…and I mean massive collection of links ready for ya. So massive, in fact, that I’m breaking it up into a multi-part series, because frankly, opening tons of links at once won’t be fun for you, and copying and pasting and reviewing what all of them are won’t be so fun for me. Not all at once, anyway. So next week, Link Dump: Tutorial Edition. But let’s get started with part 1.

Showcase: Games, Zombies and 'Net Stars

Well, it’s been about three and a half months since my last post, and while I apologize for the wait, I haven’t completely neglected this blog.  I’ve amassed a pretty massive collection of showcase and link dump material for the next while, and continue to receive newsletters and am on the prowl for tutorials and resources.  Long story short, the final project’s finishing up, and there’s a vast pool of links about to come your way in the next few weeks.  Starting now…

Link Dump: Storyboarding

Well this one’s going to be very quick, as it’s been the most busy and hectic and honestly frustrating week so far at school and I am exhausted to the point of brain-no-function. So here it goes…

From Here To Awesome

I stumbled upon this video today while surfing the Google blog, and decided it was worth showing to you guys.  It’s a great testament to the fact that indie filmmakers indeed have power, and possibility in the socially-confined world we’re living in today.  It also links to a few good videos with filmmaking tips, a video from Head Trauma and director Lance Weiler, both useful and interesting shot videos to really get your head around the fact that you have power, you can go out and make a short film and get the audience and make a splash.

The key here in my mind now, though, is that it’s a short film.  Of course the length doesn’t actually matter, if the trailer looks good enough, someone will buy it, but if it’s a short film that looks thoroughly professional, well done and generally entertaining, it’s a good step in the right direction.  The most important thing, though, is that it’s important to the filmmaker, and that they care about it and love it enough to carry it on despite the difficulties.  Personally, LATENT(CY) wasn’t that project for me.  But I’m hoping that after school ends (or even before) I’ll have scraped together some film-loving friends with enough interest and passion and drive to make another short film, and hopefully this time, we’ll be proud enough to make a campaign out of the thing.

It also occurred to me that if you’ve already got a short film made that can be shown on YouTube and other video sharing sites, then show it.  And not only that, post bulletins about it, send messages about it to all of your friends, make a website, sell DVDs, get the name out in the public’s eye because it’s your project, and it’s your responsibility to showcase your own work.  After all, if you’re not proud enough to show it off, what kind of impression does that give?  Best of luck and happy filmmaking!

A Note on Shaky Camera Work

Earlier today I got an email from StudioDaily, a pretty fascinating online industry magazine and resource website about filmmaking, visual effects and editing.  In the letter,one of the headlines was this:

Over at Film & Video, Bryant Frazer talks with director George A. Romero about his return to low-budget filmmaking with Diary of the Dead using Panasonic HDX900 and HVX200 camcorders.

So naturally I emailed that quote off to the first friend I thought of when I think of zombie movies, and he responded pretty quickly saying that he didn’t like the new “Blair Witch sort of style that’s coming back.”  That I can completely understand, so I responded with the following passage, which is the basis for this post:

I kind of like the shaky cam style that’s on the rise, it’s more viral and amateurish, and it blurs the lines between amateur films and professional ones, making it so that it doesn’t matter as much anymore to the audience if it’s a “real movie” because they can’t always tell, so it’s not worth bothering about.  If it’s good, it’s good, and it deserves praise, if it’s bad, well, they leave it alone (or flame it, the bastards).  Sometimes it’s hard to see or hard to handle (I got mildly nauseous watching Cloverfield), but I think it’s a cool way to kind of get the super-hype of paying high attention to lighting, costumes, and even set design a little bit out of the way, and letting amateurs get more into the field, simply because the cheapest way to film (handheld and shaky) is often the most real feeling, because it’s not completely stable like a statue, nor is it to the extent that Cloverfield was (though that was pretty wonderfully done).  Basically, it give me even more of a chance to go out and shoot random stuff, put it all together in some sort of cohesive, understandable and entertaining story, and then market it and get attention because it looks real, it could be real, and if it’s good, people will appreciate either the documentary-ness of it or the realistic acting and detail of the thing.  So basically I don’t put anywhere near as much effort into the preparation of the film that Hollywood does, and I can still come out with a viable film to show at festivals and gain a reputation among the biggies of the business.  So that’s why I like it.  As a style, though, you’re right, it’s hard to take sometimes.

Now, that being said, I haven’t seen the trailer for this, but I’m going to look it up and see what I can find, heh.

NOTE: You can see the trailer here.  And I actually was a little disappointed with it when I watched it.