Posts Tagged ‘studiodaily’

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Link Dump: Articles & Thoughts

May 7, 2009

This week’s link dump post is a bit more article-based, with little to no free stuff or tutorials in the mix. I know, a more heady load, but it’s good for ya! Get those gears workin’ and thinkin’ and maybe something sweet-ass and original will come out of ’em. Anyway, it’s basically a roundup from the usual sources, a few announcements, some cool case studies, and some food for thought for those of you of the filmmaking persuasion but not in the ‘I-need-to-know-this-effect-now’ category, go ahead and read past the jump. You other lot, check back at a few previous posts an’ git yer learnin’ there. Otherwise, on we go…

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Showcase: Enter your shtuff!

April 20, 2009

I know I bragged about having massive amounts of links for you guys in the last post, but in my showcase section the list is puny. I’ve been on the rampage for learning, and slacked pretty majorly in watching. However, I do have some cool little opportunity-type links for you, and a portfolio to keep your eyes giddy whilst you await the next link dump post. Onward!

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Showcase: Various

October 27, 2008

Alrighty… I think I stop trying to come up with meaningful titles for the topic part of each entry, since most of my posts are so scattered.  Hopefully there’s some good stuff in there for you guys though.  Anyway…since I didn’t get to it last night, here’s this week’s showcase entry. Read the rest of this entry ?

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A Note on Shaky Camera Work

February 21, 2008

Earlier today I got an email from StudioDaily, a pretty fascinating online industry magazine and resource website about filmmaking, visual effects and editing.  In the letter,one of the headlines was this:

Over at Film & Video, Bryant Frazer talks with director George A. Romero about his return to low-budget filmmaking with Diary of the Dead using Panasonic HDX900 and HVX200 camcorders.

So naturally I emailed that quote off to the first friend I thought of when I think of zombie movies, and he responded pretty quickly saying that he didn’t like the new “Blair Witch sort of style that’s coming back.”  That I can completely understand, so I responded with the following passage, which is the basis for this post:

I kind of like the shaky cam style that’s on the rise, it’s more viral and amateurish, and it blurs the lines between amateur films and professional ones, making it so that it doesn’t matter as much anymore to the audience if it’s a “real movie” because they can’t always tell, so it’s not worth bothering about.  If it’s good, it’s good, and it deserves praise, if it’s bad, well, they leave it alone (or flame it, the bastards).  Sometimes it’s hard to see or hard to handle (I got mildly nauseous watching Cloverfield), but I think it’s a cool way to kind of get the super-hype of paying high attention to lighting, costumes, and even set design a little bit out of the way, and letting amateurs get more into the field, simply because the cheapest way to film (handheld and shaky) is often the most real feeling, because it’s not completely stable like a statue, nor is it to the extent that Cloverfield was (though that was pretty wonderfully done).  Basically, it give me even more of a chance to go out and shoot random stuff, put it all together in some sort of cohesive, understandable and entertaining story, and then market it and get attention because it looks real, it could be real, and if it’s good, people will appreciate either the documentary-ness of it or the realistic acting and detail of the thing.  So basically I don’t put anywhere near as much effort into the preparation of the film that Hollywood does, and I can still come out with a viable film to show at festivals and gain a reputation among the biggies of the business.  So that’s why I like it.  As a style, though, you’re right, it’s hard to take sometimes.

Now, that being said, I haven’t seen the trailer for this, but I’m going to look it up and see what I can find, heh.

NOTE: You can see the trailer here.  And I actually was a little disappointed with it when I watched it.